In her first solo production, Yinka Esi Graves draws on her experience as a flamenco dancer of Afro-Caribbean descent and the questions this has raised throughout her career.
In a three-part performance, she explores notions of removal, absence and invisibility through camouflage and crypsis. Combining dance, live flamenco music, text and live video, the work takes the form of a reimagined Ghanaian Concert Party.
This performance is followed by a post show talk.
The Disappearing Act is part of Nottdance festival.
Photo © Jérôme Quadri
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Production photos








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