Approx. 1 hour 55 minutes including interval
Piano Sonata No.4 in E flat major, Op.7
Piano Sonata No.27 in E minor, Op.90
Piano Sonata No.28 in A major, Op.101
Post-concert Q&A with Charles Owen
5 minutes after the performance
Described by Gramophone magazine as “one of the finest British pianists of his generation”, Charles Owen has forged an extensive international solo career and as half of a successful piano duo with Katya Apekisheva. Charles’s programme spans the earliest published set of Bagatelles to one of his late period Sonatas.
Beethoven wrote Bagatelles, short ‘trifles’, throughout his life and the Op.33 set of seven are charming examples of his early classical style. Sonata No.4 also dates from this ‘early period’ however, it is second only to the late period ‘Hammerklavier’ in duration and its virtuosity, grandeur and emotional breadth marks a turning point. Sonata No. 27 is gentle and unhurried with just two movements, subtitled by Beethoven ‘For the Head’ and ‘For the Heart’. The next Sonata, however, marks the beginning of Beethoven's final period, with more wide-ranging ideas and a more introspective mood. Described by Beethoven as "a series of impressions and reveries" and ending with a brilliant fugue, it is one of his undisputed masterpieces.
Please note: the standard concessionary ticket price for this and other concerts in the Festival is £4 off the cost of a full price ticket. Concessions are available to: People with a disability; those in receipt of Universal Credit, Jobseeker’s Allowance, Income Support or Pension Credit. £5 tickets are available for those under 16 years of age, in Further and Higher Education, UoN Students and Go Card holders. Due to limited capacity, for Festival performances in the Djanogly Recital Hall these tickets are limited to 20 per concert until two hours 30 minutes prior to the event start time. A free ticket for a personal assistant (PA) is available for any deaf for disabled person who has purchased Festival tickets for either venue. However, for Royal Concert Hall performances, bookers will be required to join Theatre Royal Concert Hall’s Access Requirement Register.