Beethoven 250: Andrei Korobeinikov
Beethoven: The Complete Piano Sonatas
Russian pianist Andrei Korobeinikov tackles Beethoven’s great ‘Hammerklavier’ sonata in this afternoon concert. A child prodigy, Andrei gave his first professional recital at the age of eight, and won many competitions in Moscow before moving to London in 2008. His playing has been described as “honest and sincere, with an emotional maturity beyond his years”.
The peak of Beethoven’s Sonata output, the ‘Hammerklavier’ is considered among the greatest sonatas of all time. The scale, density of thought and technical requirements are greater than in any of the composer’s other sonatas. Considered impossible to play when it was first published in 1819 it opens with the percussive sounds that gave the work its title. The great, melancholic slow movement leads into an astonishing finale, a three-part fugue of bewildering complexity. Preceding the sonata, the Fantasy Op. 77 is said to have begun life as an improvisation played by Beethoven during the famous marathon concert in Vienna in 1808, and paints a vivid picture of what it would have been like to hear the composer’s genius at first-hand.
An illustrated introduction to Beethoven’s ‘Hammerklavier’
– Katy Hamilton (BBC Radio 3 Building a Library)
Piano Sonata No.29, Op.106 ‘Hammerklavier’
Approx. 1 hour 50 minutes including introduction and interval
Please note: the standard concessionary ticket price for this and other concerts in the Festival is £4 off the cost of a full price ticket. Concessions are available to:
- People with a disability
- Those in receipt of Universal Credit, Jobseeker’s Allowance, Income Support or Pension Credit
£5 tickets are available for those under 16 years of age, in Further and Higher Education, UoN Students and Go Card holders. Due to limited capacity, for Festival performances in the Djanogly Recital Hall these tickets are limited to 20 per concert until two hours 30 minutes prior to the event start time.
A free ticket for a personal assistant (PA) is available for any deaf for disabled person who has purchased Festival tickets for either venue. However, for Royal Concert Hall performances, bookers will be required to join Theatre Royal Concert Hall’s Access Requirement Register.