Free AdmissionAdvance booking essential
6-7pm followed by exhibition preview
Sam Cornish, co-curator of Kaleidoscope, discusses the importance of sequence and symmetry to the abstract sculpture produced in Britain in the 1960s, where brightly coloured, capricious forms were often underpinned with a rigourous order.
Image: Movement in Squares 1961 by Bridget Riley, Arts Council Collection, Southbank Centre, London. © 2016 Bridget Riley. All rights reserved. Courtesy Karsten Schubert, London
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