LECTURE Kaleidoscope: Colour and Sequence in 1960s British Art
One, Two, Three, Four: Presence and Sequence in the Sixties
6-7pm followed by exhibition preview
Sam Cornish, co-curator of Kaleidoscope, discusses the importance of sequence and symmetry to the abstract sculpture produced in Britain in the 1960s, where brightly coloured, capricious forms were often underpinned with a rigourous order.
Image: Movement in Squares 1961 by Bridget Riley, Arts Council Collection, Southbank Centre, London. © 2016 Bridget Riley. All rights reserved. Courtesy Karsten Schubert, London